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Stand In Your Love – Bethel Music – Line 6 Helix Patch

$5.99 $4.99

Line 6 Helix patch for the song ‘Stand In Your Love’, originally recorded by Bethel Music, including premium IR cabs by Tone Junkie. Organized into snapshots, you can get the sounds from the album at the push of a button. You get two different patches – one using IR Cabs by Tone Junkie (included) and one using a stock cab.

Categories: , SKU: HLS-033

Description

IMPORTANT NOTES

1. UPDATE YOUR FIRMWARE: Please upgrade the firmware on your Helix and the HX Edit software from Line 6 to the latest before installing this patch. Even if your Helix is up to date, the ‘HX Edit’ app needs to be updated as well. If you get an error importing a patch, the problem is most likely outdated firmware on your Helix/HX Edit.

2. REVERBS: The 2.6 Firmware update changed the mix levels of the new (HX) reverbs. This patch accounts for those changes, so if you are not updated to 2.6 or later on your Helix, the reverbs will not sound right.

3. IR CAB INCLUDED: This download includes a premium IR from Tone Junkie. We matched this specific IR to this amp, but feel free to experiment with other IR’s for different tonal options. We’ve also included a stock cab version of the patch, but we urge to try the IR – it really does sound better – and it’s included for free :).

Here is the specific IR included, and its location in our Helix:

  • TJ 17 GOLD 7B (top row). In our Helix, it’s in IR slot 17 (this will always correspond with the number after ‘TJ’ in the file name).
  • TJ 21 MATCH 25 R121+57 (bottom row). In our Helix, it’s in IR slot 21 (this will always correspond with the number after ‘TJ’ in the file name).

To purchase more IR packs, visit the Tone Junkie store here.

HOW TO IMPORT THIS PATCH AND IR

  1. Connect your Helix to your computer using a USB Cable
  2. Download and instal the ‘HX Edit’ app from Line 6
  3. In the ‘HX Edit’ app, drag and drop the patch into a slot in the ‘PRESETS’ column
  4. To import an IR, switch to the ‘IMPULSES’ column (next to the PRESETS column), and drag & drop the IR into the appropriate slot (see note above). The image below shows the specific IR location for this patch.
  5. PLEASE NOTE: If you do not have the IR loaded into the ‘IMPULSES’ column, the patch will not sound correct, even if you have the IR block on – you must drag and drop the IR into the IMPULSES column.

SNAPSHOTS

This patch is designed to be used in Snapshot mode. To enable this mode in your Helix, go to the ‘Footswitches’ section of the Global Settings and select ‘8 Snapshots’ in the ‘Preset Mode Switches’ menu. Here are the snapshots:

  • SNAPSHOT 1: INTRO. Clean-ish tone for the intro riff.
  • SNAPSHOT 2: RIFF BIG. Adds more drive to Snap 1 for the turn-around riff.
  • SNAPSHOT 3: VS2. Clean-ish tone for the 2nd verse.
  • SNAPSHOT 4: CH BIG SLD. This works well for the slide part – lots of drive.
  • SNAPSHOT 5: BRIDGE. Big rhythm tone. If you’re not playing slide, this might sound better than Snap 4 for the chorus as well.
  • SNAPSHOT 6: CH HITS. No delay (GASP). This is for the chorus hits after the bridge..
  • SNAPSHOT 7: AMBI CLEAN. It’s here if you need it.
  • SNAPSHOT 8: SWELLS. It’s here if you need it.

SIGNAL FLOW AND EFFECTS

Here is the signal flow and effects:

  1. Input
  2. Deluxe Comp – not mapped to a switch, always on
  3. Heir Apparent – Prince of Tone (voiced to sound like Bradford’s KOT, Yellow side) – mapped to switch labeled ‘KOT-Yellow’
  4. Heir Apparent – Prince of Tone (voiced to sound like Bradford’s KOT, Red side) – mapped to switch labeled ‘KOT-Red’
  5. Scream 808 – Tube Screamer – mapped to button labeled ‘808’
  6. Volume – mapped to EXP 2
  7. Vintage Digital – 1/4 delay – mapped to switch labeled ‘1/4 DLY’
  8. Amps – Fullerton Jumped and AC Fawn Brt
  9. Cabs/IR’s – see above for IR info
  10. PlastiChorus – mapped to button labeled ’Chorus’
  11. Mod/Chorus Echo – dotted 8th Delay (subtle) – mapped to switch labeled  ‘.8th Delay’
  12. ’Plate – subtle plate reverb – mapped to a switch labeled ‘Plate Verb’
  13. Dual Delay (1/8d + quarter) – mapped to switch labeled ‘DUAL ST DLY’
  14. Glitz Verb – Ambient reverb – mapped to switch labeled ‘Glitz Verb
  15. Glitz Verb – big modulated verb – mapped to switch labeled “SWELLS Verb”
  16. Simple EQ – Always on EQ – Use this EQ to make tonal tweaks for your guitar/setup. These controls will affect your tone differently than the amp controls. See below for recommended settings.

USAGE

This patch is meant to be used in Snapshot mode, but can be used in stomp box mode as well. We recommend setting up your Helix to use all ten stomps. The Helix LT does not allow 10-button stomp mode, so you’ll have to re-arrange the button assignments to suite your preferences.

STEREO:

The amps (and everything after them) are in stereo. If you are able to run stereo, the wet effects will sound bigger and better. If you only use the L/Mono output of the Helix, everything will be summed to mono automatically. NOTE: Do not use just the Right output of the helix – some of the delays will not be audible if you do this.

DIRT PEDALS:

Feel free to stack drive pedals for bigger sounds. All three one at once will give you a lead/solo tone.

EQ AT THE END OF THE CHAIN?:

Typically when you record guitar parts in the studio, you’ll put EQ and compression on the final tone. We’ve replicated the EQ in this patch. You can use the Simple EQ block for final tone shaping. See below for recommended settings.

MAKING ADJUSTMENTS FOR YOUR SETUP

SETTING THE PATCH UP FOR YOUR GUITAR

All guitars are different, so you may want to make changes to suite your playing style and guitar. We set this up with a variety of guitars, including both single coils and humbuckers (primarily a Telecaster style guitar). If you have higher output humbuckers, you might want to make adjustments based on the suggestions below.

We recommend making a copy of the patch and changing the copy just in case you want to revert back to the original.

RECOMMENDED SETTINGS FOR SINGLE COILS:

The version of this patch you initially download is voiced more toward single coils. We built it primarily using a Telecaster style guitar. If you have a humbucker equipped guitar with low-output humbuckers, it should be perfect for your uses too.

Feel free to adjust the amp EQ and the settings of the Simple EQ block (at the end of the patch) if you’d like to make the patch a bit brighter or darker.

RECOMMENDED SETTINGS FOR HUMBUCKERS:

If your guitar has traditional output Humbuckers, try the following changes (we recommend making a copy of the original patch)…

AMP SETTINGS – Fullerton Jump:

  • Drive Norm: Change to 1.4
  • Drive Bright: Change to 2.0
  • Tone: Change to 9.4
  • Treble: Change to 8.7

AMP SETTINGS – A30 Fawn Brt:

  • Drive: Change to 5.0
  • Cut: Change to 3.2
  • Treble: Change to 7.0
  • Presence: Change to 5.0

SIMPLE EQ SETTINGS:

  • High Gain: Change to 2.5
  • 2200 Hz: Change to 1.5
  • 6600 Hz: Change to 0.8

VOLUME CHANGES

If you would like to make this patch louder or quieter without affecting tone, the following adjustments can be made:

“Ch Vol” control on the amp module. This will increase or decrease volume without affecting the tone of the amp. This is the primary level adjustment tool I use for changing patch volumes.

Output block level. Changing the level control on the output block (the very last thing in the signal chain) will increase or decrease overall volume. We typically have this set at zero, but feel free to adjust this as you see fit.

CHANGELOG

Initial Release (Version 1.0): 2019-09-11

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