Get the chord charts from Bethel Music’s website here (free)
The Bethel charts are only in B (album key), so to play in a different key, you’ll need to transpose them.
On the Bethel album, this song is in the key of B, which is a bit high. Here I’m playing it in Bb (using key of G chords with the capo on the 1st fret). Feel free to lower the capo down a few frets if this is too high, or use capo 4 to play with the album.
Shortened play through of “Praises (Be Lifted Up)” by Bethel Music. In this video I’ve covered the three main sections of the song – verse, chorus, and solo. There are some other clean parts in the bridge, but you’d just use the ‘Verse’ snapshot on the Helix.
Praises (Be Lifted Up) – Bethel Music – Line 6 Helix Patch
Guitar tones from Praises (Be Lifted Up) by Bethel Music from the Have It All Album. Includes snapshots for the different sections of the song. Includes two premium IR Cabs from Tone Junkie for free.
In this demo I’m using a Shelton Electric Instruments GalaxyFlite Custom. The clean sounds are in the Bridge + Middle position (Porter Wide-Range Humbucker + Porter Vintage Mini-HB), and the driven sections are using the bridge only. This demo is using version 1.0 of this patch. See below for the changes we’ve made.
1. UPDATE YOUR FIRMWARE: Please upgrade the firmware on your Helix and the HX Edit software from Line 6 to the latest before installing this patch. Even if your Helix is up to date, the ‘HX Edit’ app needs to be updated as well. If you get an error importing a patch, the problem is most likely outdated firmware on your Helix/HX Edit. You will need at least firmware 2.8.
2. REVERBS: The 2.6 Firmware update changed the mix levels of the new (HX) reverbs. This patch accounts for those changes, so if you are not updated to 2.6 or later on your Helix, the reverbs will not sound right.
3. IR CAB INCLUDED: This download includes a premium IR from Tone Junkie. We matched this specific IR to this amp, but feel free to experiment with other IR’s for different tonal options. We’ve also included a stock cab version of the patch, but we urge to try the IR – it really does sound better – and it’s included for free :).
Here is the specific IR included, and its location in our Helix:
- TJ 21 MATCH 25 R121+57 (top row) . In our Helix, it’s in IR slot 21 (this will always correspond with the number after ‘TJ’ in the file name).
- TJ 33 MATCH 30 R121+7b (bottom row). In our Helix, it’s in IR slot 33 (this will always correspond with the number after ‘TJ’ in the file name).
To purchase more IR packs, visit the Tone Junkie store here.
HOW TO IMPORT THIS PATCH AND IR
- Connect your Helix to your computer using a USB Cable
- Download and instal the ‘HX Edit’ app from Line 6
- In the ‘HX Edit’ app, drag and drop the patch into a slot in the ‘PRESETS’ column
- To import an IR, switch to the ‘IMPULSES’ column (next to the PRESETS column), and drag & drop the IR into the appropriate slot (see note above). The image below shows the specific IR location for this patch.
- PLEASE NOTE: If you do not have the IR loaded into the ‘IMPULSES’ column, the patch will not sound correct, even if you have the IR block on – you must drag and drop the IR into the IMPULSES column.
This patch is designed to be used in Snapshot mode. To enable this mode in your Helix, go to the ‘Footswitches’ section of the Global Settings and select ‘8 Snapshots’ in the ‘Preset Mode Switches’ menu. Here are the snapshots:
- SNAPSHOT 1: INTRO/VS1. Clean tone with delay and verb.
- SNAPSHOT 2: CHORUS. Main chorus riff tone.
- SNAPSHOT 3: VERSE 2. Bit more drive than Snap 1.
- SNAPSHOT 4: P&W LEAD. Lead tone for the solo.
- SNAPSHOT 5: BRIDGE. Drive, delay and verb.
- SNAPSHOT 6: BR/CH+. Big drive tone
- SNAPSHOT 7: Not used.
- SNAPSHOT 8: SWELLS: This tone isn’t technically in the song, but it’s nice to have avaialable.
SIGNAL FLOW AND EFFECTS
Here is the signal flow and effects:
- Kinky Comp – not mapped to a switch, always on
- Heir Apparent – Prince of Tone (voiced to sound like Bradford’s KOT, Yellow side) – mapped to switch labeled ‘KOT-Yellow’
- Heir Apparent – Prince of Tone (voiced to sound like Bradford’s KOT, Red side) – mapped to switch labeled ‘KOT-Red’
- Scream 808 – Tube Screamer – mapped to switch labeled ‘808
- Volume – mapped to EXP 2
- Amp – Matchstick Jump
- Cabs/IR’s – see above for IR info
- Adriatic Delay – dotted 8th Delay (subtle) – mapped to switch labeled ‘Soft Delay’
- Transistor Tape Delay – dotted 8th delay – mapped to switch labeled ‘.8th Tape’
- ’63 Spring – subtle spring reverb – mapped to a switch labeled ‘Spring Verb’
- Dual Delay (1/8d + quarter) – mapped to switch labeled ‘Dual ST DLY’
- Glitz Verb – Ambient reverb – mapped to switch labeled ‘Glitz Verb’
- Glitz Verb – Bigger ambient reverb 🙂 – mapped to switch labeled “SWELLS Verb”
- Simple EQ – Always on EQ – Use this EQ to make tonal tweaks for your guitar/setup. These controls will affect your tone differently than the amp controls. See below for recommended settings.
This patch is meant to be used in either stompbox or snapshot mode. We recommend setting up your Helix to use all ten stomps (stompbox mode) or all eight snapshots (snapshot mode). The Helix LT does not allow 10-button stomp mode, so you’ll have to re-arrange the button assignments to suite your preferences.
The cabs, chorus, delays, reverbs, and EQ are in stereo. If you only use the L/Mono output of the Helix, everything will be summed to mono automatically.
Feel free to stack drive pedals for bigger sounds. We voiced the two Heir Apparent blocks to sound like Bradford’s King of Tone settings.
We included two dotted 8th delays – one is more subtle and one is more prominent. You also get a dual delay with dotted 8th and quarter note delays.
You can access ambient swells from the ‘Swells’ button in stomp mode or the Big Swells Snapshot. The Snapshot engages more delays.
EQ AT THE END OF THE CHAIN?:
Typically when you record guitar parts in the studio, you’ll put EQ and compression on the final tone. We’ve replicated the EQ in this patch. You can use the Simple EQ block for final tone shaping. See below for recommended settings.
MAKING ADJUSTMENTS FOR YOUR SETUP
SETTING THE PATCH UP FOR YOUR GUITAR
All guitars are different, so you may want to make changes to suite your playing style and guitar. We set this up with a variety of guitars, including both single coils and humbuckers (primarily a Telecaster style guitar). If your guitar has humbuckers, please refer to the suggested settings below.
We recommend making a copy of the patch and changing the copy just in case you want to revert back to the original.
RECOMMENDED SETTINGS FOR SINGLE COILS:
The version of this patch you initially download is voiced more toward single coils. We built it primarily using a Telecaster style guitar. If you have a humbucker equipped guitar with low-output humbuckers, it should be perfect for your uses too.
Feel free to adjust the amp EQ and the settings of the Simple EQ block (at the end of the patch) if you’d like to make the patch a bit brighter or darker.
RECOMMENDED SETTINGS FOR HUMBUCKERS:
If your guitar has traditional output Humbuckers, try the following changes (we recommend making a copy of the original patch)…
- CH 1Drive: Change to 0.9
- Bass: Change to 2.5
- Cut: Change to 3.0
If you would like to make this patch louder or quieter without affecting tone, the following adjustments can be made:
“Ch Vol” control on the amp module. This will increase or decrease volume without affecting the tone of the amp. This is the primary level adjustment tool I use for changing patch volumes.
Output block level. Changing the level control on the output block (the very last thing in the signal chain) will increase or decrease overall volume. We typically have this set at zero, but feel free to adjust this as you see fit.
Version 3.0: 2019-10-03
- Changed: Amp block (changed to the Match JMP amp model)
- Changed: Drive blocks (added the new King of Tone drives)
- Changed Delay and reverb blocks (better tone and stereo spread)
- Changed: End of chain EQ
- Added: Tone Junkie IR Cabs
Version 2.0: 2019-02-28
This is a complete overhaul of this patch
- Added: New HX Reverbs from firmware 2.5
- Added: End of chain EQ
- Added: Suggested settings for single coils and humbuckers (via the ReadMe file)
- Added: Stereo (wet effects are all in stereo)
- Added: Swells blocks settings
- Changed: Amps and amp settings – better tone (amps layout from our Bethel artist series patch)
- Changed: Drive block settings
- Changed: Output level has been adjusted – we suggest running your Helix with the big volume knob at 100% (unity gain)
- Changed: IR cab suggestion – using an IR from the same IR pack as the rest of our updated patches
Initial Release: 2017-10-16
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Acoustic song video:
- Guitar: Martin CEO-7 // LR Baggs Anthem pickup
- Recording chain (guitar): LR Baggs Anthem pickup output – UA Apollo Twin Duo interface
- Audio/recording: Apple Logic Pro X
- Video: Adobe Premiere Pro (editing), Davinci Resolve (color)
- Blackmagic Ursa Mini 4.6k + Sigma 18-35 f/1.8 lens
- Sony a9 + Sony GM 24-70 f/2.8 lens