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Praises (Be Lifted Up) – Bethel Music, Josh Baldwin

Chord Charts

Get the chord charts from Bethel Music’s website here (free)

The Bethel charts are only in B (album key), so to play in a different key, you’ll need to transpose them.


On the Bethel album, this song is in the key of B, which is a bit high. Here I’m playing it in Bb (using key of G chords with the capo on the 1st fret). Feel free to lower the capo down a few frets if this is too high, or use capo 4 to play with the album.


Artist: Bethel Music
Album: Have It All
album info: Album Key: B (male, high), 4/4 time

Chord diagrams

Strumming Patterns

1   2   3   4   ,...
d  udud  udud du,...

Shortened play through of “Praises (Be Lifted Up)” by Bethel Music. In this video I’ve covered the three main sections of the song – verse, chorus, and solo. There are some other clean parts in the bridge, but you’d just use the ‘Verse’ snapshot on the Helix.


Praises (Be Lifted Up) – Bethel Music – Line 6 Helix Patch


Guitar tones from Praises (Be Lifted Up) by Bethel Music from the Have It All Album. Includes snapshots for the different sections of the song. You get two different patches – one using an IR Cab by LiveReady Sound (IR is not included), and the other using stock cabs.

SKU: HLS-010 Categories: ,


In this demo I’m using a Shelton Electric Instruments GalaxyFlite Custom. The clean sounds are in the Bridge + Middle position (Porter Wide-Range Humbucker + Porter Vintage Mini-HB), and the driven sections are using the bridge only.

IMPORTANT: Because this patch uses effects models that were not included with the initial release of the Helix, it is very important that you upgrade the firmware on your Helix and the Helix software from Line 6 to the latest version before installing this patch. Otherwise you will have missing effects (and no amp).

NOTE: This download includes two different patches – one with an Impulse Response cab and one with stock cabs. The patch with the impulse response is labeled ‘IR’ in the title. The Impulse Response is a cabinet models from LiveReady Sound. You can purchase them or use your own IRs. The specific IR in this patch is from the A Top 2×12 Speaker Cab IR Set and can be purchased here. It is not included in the patch. The IR from that pack that I’m using in this patch is labeled:

LRS M2 ATyp SM7b 02

I have it in slot 49, so if you import that IR to slot 49 in your Helix, it will be plug-and-play.

Feel free to experiment with different IR’s – or feel free to purchase or download other cab IR’s and experiment with those.

PLEASE NOTE: This patch does not include the IR Cab – you’ll need to download it separately and transfer it to your Helix. It’s a pretty simple process that requires the Helix app from Line 6. If you don’t want to purchase and mess with separate IR’s, feel free to use the stock cab version. It sounds almost pretty close. I find the IR’s have a bit more clarity, but tone is subjective – you may even like the stock cab version more.

Signal flow and Amps/Effects

You can set up a Helix in almost any way you can think of, but I like to set it up like a pedalboard – so I have effects mapped to switches. I don’t typically like to set up completely different patches for different parts of a song, although this is certainly an effective way to do things.

Here is the signal flow and effects:

  1. Input: set to guitar
  2. Volume (log curve) – mapped to EXP 1
  3. Deluxe Comp
  4. 60 Bias Term – not used specifically in this patch
  5. Minotaur – very low gain Klon sound – mapped to switch labeled “Klon”
  6. Scream 808 – classic tube screamer sound – mapped to switch labeled ‘808’.
  7. Amp 1 – Vox AC30 Fawn
  8. Vintage Digital Delay – Dotted 8th note delay – mapped to switch labeled ‘DOTTED 8TH DLY’
  9. IR 1/Stock cabs
  10. Particle Verb – set to switch labeled “Mod Verb”
  11. Hall Verb – long – mapped to switch labeled ‘Long Verb’
  12. Hall Verb – short – mapped to switch labeled ‘Short Verb’
  13. Looper – mapped to switch labeled ‘LOOPER’


The default usage of this patch is with Snapshots. I have my Helix set up so that there are 4 snapshots across the bottom which gives me access to some effects on the top row.

The snapshots correspond to the different sections of the song, and are labeled:

  • INTRO – Use this for all the non-overdrive portions of the song (intro, verse, 1st chorus)
  • CHORUS – This is the main drive sound – Big choruses and bridge
  • SOLO – Solo tone

You can also treat this patch like a typical pedalboard setup – make sure you set your Helix so that all 10 buttons are available to you for stomp boxes.. Just turn on/off the effects that you want. Feel free to stack the drives for a big sound. Make sure to set up your Helix in stomp box mode and set the two left switches to turn effects on/off (not to bank up/down). Otherwise you will not have footswitch access to all the effects.

I set this patch up with my Shelton GalaxyFlite (JM style guitar) using both the bridge HB (Porter Wide Range HB) position for the drive parts and the bridge + middle position for the clean parts. I’ve found this patch works well with both single coil and HB equipped guitars, but as always you may want to tweak it slightly for different guitars.

Making changes for your guitar and setup

Every guitar and player is different, and you will likely need to make a few changes to suite your gear and playing style.

EQ Changes. Start here – use the EQ controls on the amp to suite your tastes with the base clean tone. From there, adjust the tone knobs of the drive pedals if desired.

Gain structure changes (THIS IS IMPORTANT). Your guitar may respond differently than my guitar to this patch, so adjust the gain structure and EQ on the amp first to suit your guitar. I also like the amp to break up a bit when I strum harder. Adjust the gain setting on the amp without any drive pedals on first to set the level of gain on your ‘clean’ tone. From there, tweak the level of the drives to suit your taste. I’ve set them up to stack well together, but you don’t have to use them that way. Alternatively, you can adjust the output of the LA Studio Comp to give more volume or less to the front end of the amp.


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Acoustic song video:

  • Guitar: Martin CEO-7 // LR Baggs Anthem pickup
  • Recording chain (guitar): LR Baggs Anthem pickup output – UA Apollo Twin Duo interface


  • Audio/recording: Apple Logic Pro X
  • Video: Adobe Premiere Pro (editing), Davinci Resolve (color)


  • Blackmagic Ursa Mini 4.6k + Sigma 18-35 f/1.8 lens
  • Sony a9 + Sony GM 24-70 f/2.8 lens

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